Linseed paint 1A-94 Golden Ochre
6,89 € – 151,09 € with VAT
Linseed paint 4A-JOLES Ochre Yellow
6,89 € – 154,66 € with VAT
Linseed paint 6A-JOLES Light Yellow
6,89 € – 154,66 € with VAT
NCS-code: 1019-Y25R
Made of Swedish cold-pressed boiled linseed oil and color pigments. Adapted for painting both indoors and outdoors.
The picture shows tree shades (Above) the standard shade, (left) a mixture of equal volumes of standard shade and White Titanium-Zinc (1+1) and (right) a mixture of one part standard shade and three parts of White Titanium-Zinc (1+3). you can mix these shades your self
when painting indoors:
Add 1% (10 ml per litre) of the drying agent cosirk.
Ensure good ventilation and follow the recommended drying times.
When painting indoors, higher demands are made on finish and surfaces.
Higher gloss and improved flow can be achieved by adding Ottossons Sun Oxidized linseed oil and/or Linseed Oil Varnish The added ingredients should be between 0.5-1.5 dl/litre and should only be applied in the final paint. Surfaces subjected to heavy wear can be further treated with oil varnish or oil veneer after approx. 2 weeks. *
Clean painted surfaces with water and detergent (not soap) or use the product Fulgentin, which can be found in our product range.
other names: Linseed oil paint 6A-JOLES Ljusgul
Related products
Linseed paint White Titanium-Zinc
NCS-code: 0402-Y07R
Made of Swedish cold-pressed boiled linseed oil and colour pigments. Adapted for painting both indoors and outdoors.
when painting indoors:
Add 1% (10 ml per litre) of the drying agent cosirk.
Ensure good ventilation and follow the recommended drying times.
When painting indoors, higher demands are made on finish and surfaces.
Higher gloss and improved flow can be achieved by adding Ottossons Sun Oxidized linseed oil and/or Linseed Oil Varnish The added ingredients should be between 0.5-1.5 dl/litre and should only be applied in the final paint Surfaces subjected to heavy wear can be further treated with oil varnish or oil veneer after approx. 2 weeks. *
Clean painted surfaces with water and detergent (not soap) or use the product Fulgentin, which can be found in our product range.
Other names: Linseed oil paint White Titanium-Zinc
Linseed paint Ultramarine Blue
NCS-code: 5742-R66B
Made of Swedish cold-pressed boiled linseed oil and colour pigments. Adapted for painting both indoors and outdoors.
* (Above) the standard shade, (left) a mixture of equal volumes of standard shade and White Titanium-Zinc (1+1) and (right) a mixture of one part standard shade and three parts of White Titanium-Zinc (1+3). *
when painting indoors: Add 1% (10 ml per litre) of the drying agent cosirk. Ensure good ventilation and follow the recommended drying times. When painting indoors, higher demands are made on finish and surfaces. Higher gloss and improved flow can be achieved by adding Ottossons Sun Oxidized linseed oil and/or Linseed Oil Varnish . The added ingredients should be between 0.5-1.5 dl/litre and should only be applied. The final paint Surfaces subjected to heavy wear can be further treated with oil varnish or oil veneer after approx. 2 weeks. * Clean painted surfaces with water and detergent (not soap) or use the product Fulgentin, which can be found in our product range. other names: Linseed oil paint Ultramarine Blue
Linseed paint Per Hans Blue
NCS-code: 6022-R82B
Made of Swedish cold-pressed boiled linseed oil and colour pigments. Adapted for painting both indoors and outdoors. suitable for painting in interior and exterior
* (Above) the standard shade, (left) a mixture of equal volumes of standard shade and White Titanium-Zinc (1+1) and (right) a mixture of one part standard shade and three volumes of White Titanium-Zinc (1+3). *
when painting indoors: Add 1% (10 ml per litre) of the drying agent cosirk. Ensure good ventilation and follow the recommended drying times. When painting indoors, higher demands are made on finish and surfaces. Higher gloss and improved flow can be achieved by adding Ottossons Sun Oxidized linseed oil and/or Linseed Oil Varnish The added ingredients should be between 0.5-1.5 dl/litre and should only be applied in the final paint Surfaces subjected to heavy wear can be further treated with oil varnish or oil veneer after approx. 2 weeks. * Clean painted surfaces with water and detergent (not soap) or use the product Fulgentin, which can be found in our product range. Other names: Linseed oil paint Per Hans Blue.
Linseed paint Antique Green
NCS code: 4112-G60Y
Made of Swedish cold-pressed boiled linseed oil and colour pigments. Adapted for painting both indoors and outdoors.
Note: The picture shows three different shades (Above) the standard shade, (left) a mixture of equal volumes of standard shade and White Titanium-Zinc (1+1) and (right) a mixture of one part standard shade and three volumes of White Titanium-Zinc (1+3). You can mix these different shades yourself.
Considerations when painting indoors Add 1% (10 ml per litre) of the drying agent cosirk. Ensure good ventilation and follow the recommended drying times. When painting indoors, higher demands are made on finish and surfaces. Higher gloss and improved flow can be achieved by adding Ottossons Sun Oxidized linseed oil and/or Linseed Oil Varnish. Ottosson * The added ingredients should be between 0.5-1.5 dl/litre and should only be applied in the final colour. Surfaces subjected to increased wear can be further treated with oil varnish or oil veneer after approx. 2 weeks. * Clean painted surfaces with water and detergent (not soap) or use the product Fulgentin, which can be found in our product range. Other names: Linseed oil paint Antique Green, Ľanová farba Stará Zelená
Linseed paint Core Green
NCS code: 6717-G28Y
Made of Swedish cold-pressed boiled linseed oil and colour pigments. Adapted for painting both indoors and outdoors. suitable for painting in interior and exterior
sample on the picture shows tree shades (Above) the standard shade, (left) a mixture of equal volumes of standard shade and White Titanium-Zinc (1+1) and (right) a mixture of one part standard shade and three volumes of White Titanium-Zinc (1+3). you can mix these shades your self
when painting indoors: Add 1% (10 ml per litre) of the drying agent cosirk. Ensure good ventilation and follow the recommended drying times. When painting indoors, higher demands are made on finish and surfaces. Higher gloss and improved flow can be achieved by adding Ottossons Sun Oxidized linseed oil and/or Linseed Oil Varnish The added ingredients should be between 0.5-1.5 dl/litre and should only be applied in the final paint Surfaces subjected to heavy wear can be further treated with oil varnish or oil veneer after approx. 2 weeks. * Clean painted surfaces with water and detergent (not soap) or use the product Fulgentin, which can be found in our product range. Other names: Linseed oil paint Core Green
Linseed color matt Maria
“At last a linseed oil paint for interior use which is not hazardous for either health or the environment”. The pictures show different environments where Ottosson’s matt linseed oil paint has been used for walls and ceilings. The standard matt colours have often been used in combination with Ottosson’s standard linseed paint, seen on doors and architraves in these reference pictures.
White linseed paint suitable for plaster – VIT Puts
Made specially for plasters, suitablle also for painted plasters or pH neutral plasters. The paint contains turpentine.
Paint in two thin layers, use a brush or a roller. The final paint has semi glossy effect
This type of paint has a long tradition and was often used for facades in urban settings. In 18th and 19th century it was always considered as valuable product.
Working process on plaster is the same as when we paint wood. The main diffeence - wood has a neutral pH 7 while plaster has alcalic high pH.
Plaster can contain cement and lime. Bigger the ammount of cement quicker the drying time. In the process of plaster drying carbonisation occures - alcaline pH lovers and approx after 3 months becomes neutral. Therefor at least 3 months are required before painting the plaster. When painting an old plaster no wait is required.